Not a new item but new for our Mail-Order!
Re-edition of the tape first out on OEC in 2018.
Sharks and the Female Form looks at the aesthetics and patterns of a
woman’s physical form violently and tragically manipulated by nature.
2 long 15 minutes tracks both starting with some (for The Rita) non
imaginable ambient sounds and speaking voices but turning fast into the
usual Harsh Wall Noise for which Sam is well known world-wide.
The aesthetics and patterns of a woman’s physical form violently and tragically manipulated in the arts:
§ Painting
“You have dared to torture the female who was so certain he would always
be adored! You have scourged her, flogged her in all her pride; you
have emptied her breasts, creviced her belly, blown up her buttocks,
twisted her legs, battered her face! And over it all you have spread a
noxious color, composed of all the reds of blood and the greens of
putrefaction.”
Coquiot on Rouault’s painting Two Prostitutes (1906)
§ Cinema
“The verbal link between gorge (throat, bosom, breast) and egorger (to
cut the throat, to slaughter) implies that the two inevitably go
together: to see a breast is to want to cut a throat.”
Colin Davis from Scenes of Love and Murder: Renoir, Film and Philosophy (2009)
§ Literature
“The great conical head struck her like a locomotive, knocking her up
out of the water. The jaws snapped shut around her torso, crushing bones
and flesh and organs into a jelly. The fish, with the woman’s body in
it’s mouth, smashed down on the water with a thunderous splash, spewing
foam and blood and phosphorescence in a gaudy shower.”
Peter Benchley from Jaws (1974)
Limited edition of 200 copies.
Two long untitled tracks.
Old Europa Cafe AVS
kalamun webdesign